Neville Goddard Lp 1955 How To Use Your Imagination Mental Diets

07 Dec Neville Goddard LP (1955) – How to Use Your Imagination – Mental Diets

How to Use Your Imagination

Side One LP

The purpose of this record is to show you how to use your imagination to achieve your every desire. Most men are totally unaware of the creative power of imagination and invariably bow before the dictates of “facts” and accepts life on the basis of the world without. But when you discover this creative power within yourself, you will boldly assert the supremacy of imagination and put all things in subjection to it. When a man speaks of God-in-man, he is totally unaware that this power called God-in-man is man’s imagination. THIS is the creative power in man. There is nothing under heaven that is not plastic as potter’s clay to the touch of the shaping spirit of imagination.

Once a man said to me, “You know, Neville, I love to listen to you talk about imagination, but as I do so, I invariably touch the chair with my fingers and push my feet into the rug just to keep my sense of the reality and the profundity of things. Well, undoubtedly he is still touching the chair with his fingers and pushing his feet into the rug.

Well, let me tell you of another one who didn’t touch with her fingers and didn’t push that foot of hers onto the board of the streetcar. It’s the story of a young girl just turned seventeen. It was Christmas Eve, and she is sad of heart, for that year she had lost her father in an accident, and she is returning home to what seemed to be an empty house. She was untrained to do anything, so got herself a job as a waitress. This night it’s quite late, Christmas Eve, it’s raining, the car is full of laughing boys and girls home for their Christmas vacation, and she couldn’t conceal the tears.

Luckily for her, as I said, it was raining, so she stuck her face into the heavens to mingle her tears with rain. And then holding the rail of the streetcar, this is what she did: she said, “This is not rain, why, this is spray from the ocean; and this is not the salt of tears that I taste, for this is the salt of the sea in the wind; and this is not San Diego, this is a ship, and I am coming into the Bay of Samoa.” And there she felt the reality of all that she had imagined.

Then came the end of the journey and all are out.

Ten days later this girl received a letter from a firm in Chicago saying that her aunt, several years before when she sailed for Europe, deposited with them three thousand dollars with instructions that if she did not return to America, this money should be paid to her niece. They had just received information of the aunt’s death and were now acting upon her instructions. One month later this girl sailed for Samoa. As she came into the bay it was late that night and there was salt of the sea in the wind. It wasn’t raining, but there was spray in the air. And she actually felt what she’d felt one month before, only this time she had realized her objective.

Now, this whole record is technique. I want to show you today how to put your wonderful imagination right into the feeling of your wish fulfilled and let it remain there and fall asleep in that state. And I promise you, from my own experience, you will realize the state in which you sleep – if you could actually feel yourself right into the situation of your fulfilled desire and continue therein until you fall asleep. As you feel yourself right into it, remain in it until you give it all the tones of reality, until you give it all the sensory vividness of reality. As you do it, in that state, quietly fall into sleep. And in a way you will never know – you could never consciously devise the means that would be employed – you will find yourself moving across a series of events leading you towards the objective realization of this state.

Now, here is a practical technique: The first thing you do, you must know exactly what you want in this world. When you know exactly what you want, make as life-like a representation as possible of what you would see, and what you would touch, and what you would do were you physically present and physically moving in such a state.